![]() My master/bus comps for glueing are: TDR Kotelnikov (free version is 99.9% enough for me), fircomp v1 free or rarely v2, cytomic the glue, Pulsar Mu, DDMF MagicDeathEye (both versions), Waves API2500 (very rare), Sonoris Mastering compressor (extremely rare as extra option if transparent compressor like Kotelnikov doesn't work, so, even both do not), Vertigo vsc-2 (used 5-6 times maybe, difficult to use it as a glue comp for me, very sensetive, very pumpy, jumpy extremely rare fit/suits). On master or mixbus sometimes I like to combine both styles compressors, with about 0.5-1.0 dB reduction both (rarely more up to 1.5 or almost never), usually VCA never goes over 1dB reduction on my master (usually less), bit of touch. More responsive on RMS, sustainier material, not too perfect for percussive and transient. Vari-Mu style is softer, slower, smoother with a bit saturation. ![]() for me it is a transient/punch/attack fist of VCAs, not clean/transparent. Waves dbx160 too snappy, maybe for percussive tracks, not bus/master, don't know, it was never a comp for VCA-style glueing for me on master, just as a VCA-style transient re-energizer, oomph pumper, and dirtier. SSL and other VCA are best for percussion glueing, attacky transient-heavy material. Still soft and way less aggressive than VCA API compressor (API gives more oomph, weight, nice pump and drive), and not too heavy as fast'n'punchy aggressive FET. The software also updates the original with the addition of a high-pass in the detector circuit, external sidechain input, and a wet/dry knob for convenient parallel compression.VCA (SSL style) is for punchier glueing, is faster than vari-mu style, but slower attack gives some transients bit untouched. Highly flexible, VARI COMP is equally well suited to individual tracks, sub groups, or the mastering stage. The sound remains smooth and musical at all times. ![]() ![]() In limit mode, knee and ratio adjust automatically in response to the input signal, ranging from 4:1 to 20:1, depending on the input level and threshold settings. FEEL THE SQUEEZE Use VARI COMP in Compress mode for a warm, transparent sound via a subtle compression ratio of 1.5:1. Highly usable and full of rich, natural sound, VARI COMP delivers the warmth and presence of top-of-the-line tube-powered hardware. Modeled on the sound of boutique high-end studio gear, this first-ever software emulation adds high-pass sidechaining and parallel compression – all while running as a stand-alone plug-in inside your DAW. Exclusively emulated by the masters at Softube.Included: NATURAL AND TRANSPARENT All-purpose two-channel compressor Pristine sound on tracks, groups and mixes 2 modes, external sidechain input, wet/dry knob RICH, NATURAL COMPRESSION VARI COMP is an all-purpose, easy-to-use, two-channel compressor with breathtakingly transparent sound. MORiA | December, 11 | AudioZ Exclusive | 78.1 MB VARI COMP is an all-purpose, easy-to-use, two-channel compressor with breathtakingly transparent sound.
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